Tips for Choosing Your Wedding Dress

August 27,2013 From: ABC sources
  • \r\n As a bride-to-be, you have to make sure that you choose a wedding dress that fits your body type and accentuates the best parts of your body. The key to choosing the perfect wedding dress is not to fall in love with a style but to choose a style that fits you.But before you start shopping for a wedding dress, it's a good idea to know what you're looking for.Here are some general guidelines to help you get started on the road to wedding day bliss.\r\n

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    \r\n Do your research. Before you even begin to look around, research gowns. You should always have a bit of knowledge about dresses (and know some of the lingo) before you even set foot into a bridal shop. There are also many bridal magazines that will provide a ton of information, including Brides, Modern Bride, Bridal Guide, Wedding Bells, etc. All of these magazines have websites, where you can find quick information without paying for the magazine.\r\n

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    \r\n Decide on a silhouette. Wedding dresses are made in several different silhouettes. Before considering anything else, know which type of gown will flatter your figure the best. Look at photos of each type. You can browse wedding website message boards and member profiles for photos of real women wearing gowns, rather than relying on professional photos of models wearing them.\r\n

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    • \r\n Ball gowns have very full skirts and generally will look beautiful on any body type, unless the bride is very short and small. In this case, it may be overwhelming to her small frame. Ball gowns generally either have crinolines built in or a slip you must wear to support the shape of the gown. Be advised that this extra fabric can be heavy and bulky and will require extra care to wear.\r\n
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    • \r\n A-lines usually have a fitted bodice with a skirt that flares gently from the waist to form an "A" shape. They generally work for everyone as well, and are a terrific choice for someone who would like to hide lower body flaws, but does not want a ball gown. A-lines are not as full as ball gowns.\r\n
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    • \r\n Sheaths flatter women with slim, balanced figures. They shouldn't be worn by brides who dislike their figures. This gown will not hide any flaws. If you think your thighs or butt are too big, you'll be miserable in this type of dress. Don't try to pull it off because you found a gown you love in this style. You don't want to risk being uncomfortable or self conscious on your wedding day, or regretting your choice every time you look at wedding photos.\r\n
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    • \r\n Empire waist gowns have a skirt that falls from just below the breasts. Although usually listed with various waistline types and not always considered a type of silhouette, they are a wonderful choice for a casual, non-formal wedding, or weddings in a tropical climate. They're usually made of light, flowing fabric. They're also excellent for pregnant brides, because they provide extra room in the waist, making them a comfortable choice. They also won't draw as much attention to the belly as a dress with a lower waistline would.\r\n
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    \r\n Envision your wedding. Picture yourself on your wedding day. What are you wearing? What silhouette is your gown? What fabric? Is it embroidered or beaded? What color is it? With so many choices for the dress, it can be overwhelming to look through hundreds or thousands of them. Some brides have said that after looking through racks and racks of dresses, they all begin to look the same. So before you even set out to try them on, envision your wedding day and how your dress looks, and jot down a list of things that describe the dress of your daydreams. You don't have to know all the wedding dress terms. Just write down a description of the gown you're envisioning. Example list: "princessy, satin, some shade of white but not pure white, spaghetti straps."\r\n

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    \r\n Consider the circumstances. A wide variety of factors can affect what makes a particular dress appropriate to the occasion.\r\n

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    • \r\n Formal ceremonies usually call for floor length gowns and long trains, while informal ceremonies (especially destination weddings) are a terrific place to wear a shorter gown without a train at all (or a "sweep" train, which just barely brushes the floor). Another example: in some cases, strapless gowns are considered inappropriate for very formal ceremonies.\r\n
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    • \r\n If you're getting married in the winter, you may not want to be a very light, thin fabric unless you plan to be inside the entire time. If you're having a beach wedding in the middle of July, you may not want to wear a heavy fabric like duchess satin.\r\n
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    • \r\n While the most traditional ceremonies will call for a white gown, in many cases, wedding dresses don't have to be pure white anymore! Many women choose dress colors that best complement their skin tones, ranging from diamond white to ivory to champagne to actual colors (pink, blue, red). Pick the color you feel most beautiful in.\r\n
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    \r\n Decide on a budget. When deciding on your budget, you don't need to set a very specific price. Just make it a general range, such as $1000 - $1500, or even $1000 - $2000. You can always break this rule later if you're able to and really want to, but it helps to have a general range. Some experts suggest devoting 10% of the overall wedding budget to the bride's attire. Just be sure to remember that "attire" includes not just the gown itself, but the other stuff: veil, shoes, slip, jewelry, gloves, etc. All of these things are optional, of course (except for the slip, which is usually necessary to keep the dress from going between your legs when you walk). But you'll have to factor in the price of whatever items you decide to wear with your gown.\r\n

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    \r\n NECKLINE\r\n

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    • \r\n Bateau — Close to straight across from the tip of the shoulder. Gives plenty of coverage.\r\n
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    • \r\n Halter — Wraps around the back of the neck to create deep armholes. Often also a backless style, which is very sexy.\r\n
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    • \r\n High — Covers most of the neck. Creates a formal, somewhat stiff look.\r\n
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    • \r\n Jewel — Similar to that of a t-shirt. Creates a bustier look.\r\n
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    • \r\n Off-the-shoulder — As the name indicates, the top of the shoulders are bare. Showcases your collarbone and shoulders.\r\n
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    • \r\n Portrait — A very wide scoop from the tip of one shoulder to the tip of the other.\r\n
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    • \r\n Scoop — Classic U-shaped neckline. Can be cut low for a sexier look.\r\n
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    • \r\n Square — Squared neckline, often associated with empire gowns.\r\n
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    • \r\n Strapless — Normally straight across. Not recommended for women with small busts.\r\n
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    • \r\n Sweetheart — Shaped like the top half of a heart. Emphasizes the cleavage.\r\n
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    • \r\n V-Neck — Dips in the front into a V-shape. Can be very deep.\r\n
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    \r\n LENGTH\r\n

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    • \r\n Street length — Hem falls just past the knee.\r\n
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    • \r\n Intermission (or tea) length — Hem falls between the knees and ankle.\r\n
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    • \r\n Ballet length — Hem falls just to the ankles.\r\n
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    • \r\n Floor length — Hem barely touches the floor on all sides.\r\n
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    \r\n SLEEVES\r\n

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    • \r\n 3/4 sleeves — End between the elbow and wrist.\r\n
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    • \r\n Bell — Long sleeves that flare out toward the wrist creating a bell shape.\r\n
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    • \r\n Cap — Rounded sleeves, just covering shoulders.\r\n
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    • \r\n Fitted point — Long, fitted sleeves that come to a point over the hand.\r\n
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    • \r\n Juliet — Long, fitted sleeves with puffy shoulders.\r\n
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    • \r\n Long sleeves — Extend to the wrist and are normally form-fitting.\r\n
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    • \r\n Off-the-shoulder sleeves — Cover the upper part of the arm but leave the tops of shoulders exposed.\r\n
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    • \r\n Poet — Long sleeves, fitted to the elbow then flared.\r\n
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    • \r\n Pouf — Short sleeves, gathered to create a puffy look.\r\n
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    • \r\n Short sleeves — About the length of t-shirt sleeves.\r\n
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    • \r\n Sleeveless — Strapless with no sleeves.\r\n
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    • \r\n Spaghetti — Thin spaghetti straps with no sleeves.\r\n
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    \r\n BODICE\r\n

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    \r\n The bodice refers to the portion of the dress between the neckline and skirt.\r\n

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    • \r\n Corset — A form-fitting bodice with boning and lace-up closures.\r\n
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    • \r\n Halter — Sleeveless bodice that wraps around your neck, normally backless.\r\n
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    • \r\n Midriff — Fits very closely around the mid-section, accentuating your waist.\r\n
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    • \r\n Surplice — Sections of fabric cross-wrap in the front or back.\r\n
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    • \r\n Tank — Sleeveless with wide armholes like tank top.\r\n
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    \r\n TRAIN\r\n

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    • \r\n Sweep — 8 to 12 inches in length, just a few inches longer than the gown.\r\n
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    • \r\n Court — Extends about 3 feet from the waist.\r\n
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    • \r\n Chapel — Extends about 4 feet from the waist.\r\n
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    • \r\n Cathedral — Extends about 6 to 9 feet from the waist.\r\n
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    • \r\n Royal — Extends more than 9 feet from the waist.\r\n
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    \r\n VEIL\r\n

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    • \r\n Birdcage — Falls right below the chin, usually attached to a headpiece.\r\n
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    • \r\n Flyaway — Falls to the shoulder.\r\n
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    • \r\n Blusher — Worn over your face, about 28 inches long.\r\n
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    • \r\n Elbow — Falls to the elbow or waist.\r\n
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    • \r\n Fingertip — Falls to the finger tips or just below the waist.\r\n
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    • \r\n Ballet — Falls to the ankles.\r\n
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    • \r\n Chapel — Falls slightly longer than floor length.\r\n
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    • \r\n Cathedral — 9 feet or longer.\r\n
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    by: Nate

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